In the beginning of Calling the Ghosts (a film about the genocidal camps during the Balkan War of 1995) , a woman asks, "If I stay silent, how moral would that be?" Without going into great detail about the use of gender-based violence to enforce eugenics during this war-time, the opening of said film begs the question: Why is an acknowledgment of past trauma so difficult? Further than that, how does one articulate the effects of trauma as it relates to cultural identity? Recalling those instances brings back the re-memory of the physical anguish (the term "rememory" made known in Toni Morrison's literature) and mental strife it had and continues to have upon the body. Because this story was so engrossing, instead of writing a linear review, I'd rather present it in fragmented poetry form: A Camp, they called it, but more like a prison. Muslim and Croat intellectuals were the first victims. There were business offices with blood around it, order...
This blog is a personal response to human-rights related issues presented through a film and multimedia lens.
[All photographic or illustrative creations are copyright © Ada daCosta unless otherwise noted.]

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